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a low lament for love and loss

by lisa butel and brent cross

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1.
Sweet Vox 05:31
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3.
My Love 04:02
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a fake beat 03:41
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about

"Content for a low lament for love and loss" is taken from a one hour live improvised session that Brent and Lisa recorded and then edited the recording down to 7 pieces with very few overdubs. The album is fondly dedicated in memory and emotion to Marge Cross whose Heintzman piano and all of its’ glorious imperfections is sampled and featured along with samples of clarinet played by Johanna Hauser.

REVIEW: ~Dominic Valvona
monolithcocktail.com/2021/11/04/the-perusal-22-dear-laika-stereo-total-boom-diwan-ft-nduduzo-makhathini-spacelab/

"This month selection of choice music (as you may have noticed) is particularly heavy on voice/vocal experimentation; none so more then the double offerings from the Vancouver-based collaboration of sound artists, Lisa Butel and Brent Cross.

Another product of stress-relief and vehicle for abstract anxieties, feelings and terms of bereavement felt through the creation of music, during the harrowing and restrictive pandemic this sonic and empirical voiced partnership created a moiety of albums. As release valves for pent-up feelings of loss and isolation, these two album suites are full of blended and manipulated minimal synthesised sounds, piano accompaniments from a family heirloom, and a gauzy flow of uttered, elegiac, aria and tonal vocals.

A Low Lament For Love And Loss takes a one-hour improvised session and breaks it down into seven parts of varied elegy and ethereal sung mystique and diaphanous outpours. To a flutter, ripples and fuzzy synth undulations and drones, Butel’s voice yearns syllables and sounds. Often they sound otherworldly, or as in the case of the slowed, stripped Red Mecca era Cabaret Voltaire, buzzing and crisp Middle Eastern tinged ‘Intro To Lament’, like a mysterious call to prayer from atop of a minaret.

Wafted, drifted, translucent yet deeply felt that voice and accompaniment is entrancing but often tragic; dealing as it does from the loss of Cross’s mother, whose Heintzman piano can be heard throughout, fluctuating between sentimental tinkles, singular patted notes and melodious dreamy passages.

The Feeling Of Walking is in a very similar vein, though the process is a little different, using the voices as a sort of comfort and meditation. Opening beautiful gesture ‘I’m Giving Out The Love’ is like a mix of ambient generated dreaminess and slowcore; ‘Super Skies’ an almost monastic kind of poetry. There’s even a kind of Japanese dulcimer-like feel to the ghostly, delicate ‘The Beautiful Women’.

Two congruous releases of pent-up emotions delivered in the form of an experiment between voice, piano and a palette of purposeful oscillations and manipulations, Cross and Butel’s lockdown albums act as a personal process but above all sound fully immersive and cathartic: A communal, connective experience."

~Dominic Valvona
monolithcocktail.com/2021/11/04/the-perusal-22-dear-laika-stereo-total-boom-diwan-ft-nduduzo-makhathini-spacelab/
credits

credits

released April 14, 2020

Lisa Butel - voice, text and production
Brent Cross - prepared piano, dual oscillator analog sound machine, voice, text and production
Johanna Hauser - clarinet

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about

lisa butel and brent cross Vancouver, British Columbia

2022
Preparation for new release in May.

2021
Somewherecold label (Kentucky)
release our double album;
Coexisdance Transcontinentale.

2020
VANCOUVER ELECTRONIC ENSEMBLE;
VANCOUVER NEW MUSIC - Graphic Score.

2019
CoexisDance Western Edition 2; Fake Jazz; Quiet City; Mixed Input; Vines Arts Festival - all shows comprised of improvising and collaborating with multidisciplinary artists.
... more

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